L.S. Toy, b. 1996, has become an emergent character in contemporary art since their departure from the Royal College of Art to embrace a path of greater autonomy and experimentalism in art-making. Situated firmly in the realm of hyper-contemporary, conceptual art, L.S. Toy challenges traditional artistic norms and ventures deep into the nuances of art's materiality. Their work, transcending conventional artistic boundaries, emphasizes media aesthetics and reenvisions the art object as an ongoing, interactive performance infused with existential depth and an exploration of identity.

Incorporating postmodernist theories and sharp observations of contemporary culture and global phenomena, L.S. Toy's creations critically examine the intertwined relationship of global conflicts, media representation, and digital alienation. In addition, their work probes the complexities of identity and commodification of self in a digitized world. This approach reflects an existential inquiry into the nature of being and identity in the digital age, questioning how external forces shape and influence these constructs, including the commodification of personal and cultural identities in the global marketplace.

To accomplish this, L.S. Toy often employs industrial methods, digital tools, and other multimedia materials in their work, commenting on the mechanized, impersonal nature of contemporary conflicts and media narratives. This practice not only engages with the subject matter but also serves as a reflection of L.S. Toy's own identity and position operating as an artist within the first world, contending with the paradoxes of creating art that draws from conflicts they are distantly related to.

L.S. Toy's body of work, thus, stands as a contemplative and innovative commentary on the role of art in the digital era, interweaving existential musings and identity exploration. Their work challenges the viewer to reconsider the boundaries and responsibilities of art, solidifying L.S. Toy as a crucial voice in contemporary art discourse and urging engagement with the complex narratives of our global, interconnected society.